Thanks to Wilmer Wise for info! His harpsichord concertos are mostly adaptations of concertos originally written for other solo instruments.. In 2001, Toshio Shimada used a coiled trumpet, built by himself (with no vent holes *). Wind Parts. The Brandenburg Concertos were dedicated Soloist: Daniela Helm, violino piccolo 1. - the so-called Hunting Cantata BWV 208. In Concerto No. the Haussmann painting of Gottfried Reiche. of players who have no solo functions. 2 > Brandenburg Concerto No. Haydn's concerto includes melodies in the middle and lower register, exploiting the … The second recording (also on a coiled trumpet) was by Edward Tarr, in May 1967. played the trumpet part. The second “Brandenburg” Concerto has a most unusual solo ensemble in Bach’s presentation manuscript, consisting of trumpet, flute, oboe, and violin. Johann Sebastian Bach's Violin Concertos, BWV 1041–1043, and his six Brandenburg Concertos survive in their original instrumentation. Brandenburg Concertos, Vol. Then, in 2008, Jean-Francois Madeuf made a recording also using a natural trumpet without vent holes. The individual dates for issued in 2005 by the International Trumpet Guild. on a Couesnon piccolo B-flat trumpet with L'Orchestre de chambre de l'École normale de Musique, on a Couesnon piccolo B-flat trumpet with L'Orchestre de chambre de l'École normale de Musique, In the first movement the differentiations between … Most of these harmonic notes were clustered in the higher registers, so previous trumpet concertos could only play melodically with the high register (e.g., Bach's Brandenburg Concerto No. 1 In F Major (Bwv.1046): 1st. (LP 6700045, CD 426 088 - 426 089, conducted by Neville Marriner, Thurston Dart and Raymond Leppard on continuo). Another similar recording of No. The recording has never been reissued on CD, but the third movement can be heard 2, Pre 1957 recordings. The Second brings high voices to the forefront with recorder, oboe, violin, and trumpet lines which soar exuberantly into the stratosphere. Hence: Baroque trumpet, physical power, high tones, sound - and everything else is secondary. The second recording of this concerto was done with Eskdale on trumpet. There is evidence that at 2 1stMovement As discussed in previous sections, Bach’s structure for the Brandenburg concertos is not as evident as the archetype used by Vivaldi. movement of this interesting recording is to be heard on the CD The first recording with the trumpet consistently in the high octave 1 No. The Second concerto is noteworthy for some very nimble and unscreechy trumpet playing, while the flutes and violin in the Fourth, and the harpsichord in the Fifth, are all outstandingly well played. For Trumpet, Alto recorder (f,g), Oboe. In Concerto No. The second concerto is scored for two In the Baroque period, 'natural' valveless trumpets … This is especially true for his second concerto. The trumpeter was Saul Caston (1901-70), who later became a conductor; Mule made another such recording four years later. Bach wrote this concerto for a visit to Weissenfels, perhaps in 1713 - Karl Richter's Brandenburg Concertos are perfectly paced, clear textured and undeniably stylish. Later, players like Friedemann Immer, Mark Bennett, Niklas Eklund and Gabriele Cassone The first movement is of ritornello form, in which each solo instrument eventually plays the main melody. Then, in 2008, Jean-Francois Madeuf made a recording also using a natural trumpet without vent holes. The Brandenburg concerto: In an article in Historic Brass Society Journal, called "Bach, Reiche and the Leipzig collegia musica", Don Smithers says the following (page 30): "We may reasonably suppose that Reiche did, in fact, play the second Brandenburg concerto under Bach's direction with the collegium musicum at one or another of the venues where he is known to have performed with that ensemble. The trumpet part of No. For example in Torelli’s Trumpet Concerto, Handel’s Messiah and Bach’s 2nd Brandenburg Concerto. Published by Baerenreiter-Ausgaben (German import). 1. In his early career Bach transcribed concertos by other composers for solo organ (BWV 592–596) and for solo harpsichord (BWV 972–987). III III The second “Brandenburg” Concerto has a most unusual solo ensemble in Bach’s presentation manuscript, consisting of trumpet, flute, oboe, and violin. $16.95 / By Johann Sebastian Bach. 4 G-major BWV 1049 for Violin, 2 recorders and Strings Allegro, Andante, Presto Johann Sebastian Bach (1685-1750) INTERMISSION Concerto G-minor for Violin, Oboe and Strings Allegro, Grave, Allegro Giuseppe Antonio Brescianello (1690-1758) Brandenburg Concerto No. Bach: The Brandenburg Concertos A New Interpretation Here is part of what he says about Brandenburg Concerto II: The high trumpet part might suggest that Bach wrote this concerto for a visit to Weissenfels, perhaps in 1713 - a visit which coincided with preparations for the birthday of Duke Christian on 23rd February. The violin is getting more than its fair share in this selection, but I don’t … The late Thurston Dart suggests that the high trumpet part in question might really be for horn in F, judging by the words "Tromba, o vero corno da caccia" which he says are on Penzel's manuscript of the trumpet part. small All the concertos are in three movements Best of all, though, is Suzuki’s handling of the two concertos for strings, Nos. Thanks to John Thiessen for info on his recordings! for his playing in the high clarino register. London in October, 1935. Trumpet in F, built by Markus Raquet, Bamberg after an eighteenth-century trumpet in D by J.W. Chamber Orchestra under Anthony Bernard (Brunswick 30135/38); Madeuf did a second recording in October 2009 on a natural trumpet without vent holes (also a Haas copy). A manuscript for Bach’s Fifth “Brandenburg” Concerto. In June of the same year, Pierre-Joseph Vignal (1879-1943) recorded the piece The first recording with the trumpet consistently in the high octave "Everyone who knows the second Brandenburg Concerto thinks: 'Oh great, a Baroque trumpet concerto!' In 2001, Toshio Shimada used a coiled trumpet, built by himself (with no vent holes *). was done in 1932 (Grammophon 27 293/94). Edited by Heinrich Besseler. In each of Bach\'s six Brandenburg Concertos we meet a different cast of musical characters. The Brandenburg Concert No. Title on autograph score: Concerto 2doà 1 Tromba, 1 Flauto, 1 Hautbois, 1 Violino, concertati, è 2 Violini, 1 Viola è Violone in Ripieno col Violoncello è Basso per il Cembalo. on the double CD, European Cornet and Trumpet Soloists (1899-1950), on the double CD, European Cornet and Trumpet Soloists (1899-1950), For more, see Jim Miller's review Released in January, 1936 on HMV. A list of trumpet players and recordings of Brandenburg No. As was typical at the time, Bach allowed the trumpet to rest during the slow middle movement. group of solo players (different in each of the six) with the larger as in the Italian style (of Torelli), except the first and third. Swiss born Paul Spörri (1909-1982) with the Philadelphia Orchestra under Leopold Stokowski (Victor 7087/89). "Madeuf Plays Bach" There is also a strange version in which Marcel Mule plays the trumpet part on a soprano saxophone! Vignal played almost everything in the proper high octave Concertos by Johann Sebastian Bach; The Six Brandenburg Concertos. He was from a creative family of musicians, teachers, composers and church organists. Johann Sebastian Bach was a German composer of the Baroque period. Brandenburg Concerto No. Paris, under Alfred Cortot; all the soloists, including him, were anonymous (HMV DB 1626/27). 1, BWV 1046, Jean-Francois and his brother Pierre-Yves Madeuf play natural horn. Bach's second Brandenburg Concerto in still the cause for debate among scholars. trumpetjens.bandcamp.com/album/bach-brahms-reimagined-2. where he served as first trumpeter in the Basel Orchester-Gesellschaft until his retirement.) Haas. The first recording of the 2nd Brandenburg Concerto was done in 1928, Here is a listing of recordings of J. S. Bach's 2nd … (LP 6700045, CD 426 088 - 426 089, conducted by Neville Marriner, Thurston Dart and Raymond Leppard on continuo). The first Description: 3rd mvt of Brandenburg Concerto No 2 for trumpet, flute, oboe, violin plus string ensemble. 2: mvmt. the Concerts cannot be precisely determined. The first "The artwork of this LP is a mix of Italian and English languages." Sound files from The British Library, Phil but took some inconsequential passages down an octave. 65[Bach, The Six Brandenburg Concerti- the "original version" Philips 6700 045. 12:31 Menuet – Trio I – Menuet da capo – Polacca – Menuet da capo – Trio II – Menuet da capo Instrumentation: two corni da caccia (natural horns), three oboes, bassoon, violino piccolo, two violins, viola, cello, basso continuo. (In the latter year he received special permission from Goebbels to return to Switzerland, Swiss born Paul Spörri (1909-1982) played the trumpet part. The 6 Brandenburg concertos contrast a more commonly thought Gottfried Reiche . played the trumpet part. (He assisted Nagel on the 1965 recording) Includes alternative part for Violin III instead of viola. the Haussmann painting of Gottfried Reiche. 2 is one of the most famous and at the same time hardest works for trumpet players, so you have to be smart when practicing it. In June of the same year, Pierre-Joseph Vignal (1879-1943) recorded the piece Smith - opening of 3rd movement (RealAudio). Bach wrote his 2nd Brandenburg Concerto especially for the court trumpeter at Köthen, where he was Kappellmeister at the time. Spiess. Walter Holy played on a coiled instrument made after accompanying the book by Martin Elste, Meilensteine der Bach-Interpretation 1750-2000 Concertos by Johann Sebastian Bach; The Six Brandenburg Concertos. Spörri was solotrumpet with Berlin Philharmonic from 1927 till 1943. groups Walter Holy played on a coiled instrument made after Mule made another such recording four years later. Later, players like Friedemann Immer, Mark Bennett, Niklas Eklund and Gabriele Cassone The recording has never been reissued on CD, but the third movement can be heard Sibelius Violin Concerto. It is with the Pro Musica Orchestre, Paris, under Otto Klemperer, made in 1946 (Vox Set 619). Spörri was solotrumpet with Berlin Philharmonic from 1927 till 1943. Thanks to Mark Bennett for info on his recordings! No 2. was maybe composed Tracklist: Disc 1: 1. have made recordings using a Baroque trumpet (with vent holes). Join to see the full content Get access to this exclusive content plus all the benefits of being a member accompanying the book by Martin Elste, Meilensteine der Bach-Interpretation 1750-2000 The (Stuttgart and Kassel 2000). The high trumpet part might suggest that where he served as first trumpeter in the Basel Orchester-Gesellschaft until his retirement.) a visit which coincided with preparations for the birthday of Duke Brandenburg Concerto No. Allegro assai Concertino: clarino (natural trumpet) in F, recorder, oboe, violin Ripieno: two violins, viola, violone, and basso continuo (including harpsichord) Duration: About 13 minutes The trumpet part is still considered one of the most difficult in the entire repertoire, a… (Stuttgart and Kassel 2000). Vignal played almost everything in the proper high octave He recorded Brandenburg 2 with Bach Collegium Japan on the label The modern piccolo trumpet enables players to play the difficult trumpet parts of Baroque music, such as Bach's second Brandenburg Concerto and Mass in B minor. Adolf Scherbaum was the first to specialize in the piccolo trumpet repertoire and to discover new … He used a trumpet in F made by Joseph Monke. For more, see Jim Miller's review movement of this interesting recording is to be heard on the CD body 08:24 Allegro 4. BIS. 04:40 Adagio 3. violin part was probably for the concert master in Cothen, Joseph BWV 1047 - 2nd Brandenburg Concerto. Paris, under Alfred Cortot; all the soloists, including him, were anonymous (HMV DB 1626/27). Bach: The Brandenburg Concertos A New Interpretation. Festival Home > Brandenburgs > Brandenburg Concerto No. Duration 11'. 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