What else could it be, really? They deserve their longevity with this meaty doo-wop stayer led by Fred Parris’s clearcut vocals and backed by rootsy, grainy sax. But then everything changed. Although Cash’s music and career would inhabit darker, more complicated and ornate territory, the simplicity of ‘I Walk The Line’ is one of his most memorable moments. The 1950s marked the birth of rock’n’roll. List of #1 Pop Singles for 1950. Here are the top 100 tracks from the decade that that sparked a musical revolution. A 12-bar blues jaunt that was unlike no other. Hard to re-appraise objectively after its use and abuse on films and adverts – from Hot Shots to So I Married An Axe Murderer, Alvin And The Chipmunks and beyond – over the years, The Platters’ sweetly harmonised ballad is nevertheless a total classic. ‘In The Still Of The Night’ enjoys the perhaps tainted honour of being an integral part of the Dirty Dancing soundtrack. The world's defining voice in music and pop culture since 1952. This track was famously used as a key part of his gig routine, when a handler came out, covered Brown in a cape and escorted a seemingly overwrought Brown off-stage. Reed’s pure voice and persuasive playing had a deep impact on the approaching rock’n’roll boom, particularly The Rolling Stones who covered ‘Honest I Do’ on their 1964 debut album. Old Love Songs 50's 60's | Best Romantic Songs, Classics and Oldies from the 50s & 60s Music By Listanauta. }); © 2021 NME is a member of the media division of BandLab Technologies. Where’s it coming from? Chicago DJ,Chicago Wedding DJ,Fourth Estate Audio,Top Songs of the 1950s McKinley ‘Muddy Waters’ Morganfield wasn’t the first artist to record ‘Got My Mojo Working’ – that accolade goes to gospel singer Ann Cole – but as a blues pioneer his thundering version has set the standard and been covered by Elvis, Etta James, Canvey Island rockers Doctor Feelgood, fellow blues legend B.B. Here's a list of the best teen tragedy songs of the '50s and '60s, hand-picked by your guide. Eddie Cochran lived fast and died young in classic teen rebellion style but left a beautiful body of work to show for his two short years in the business. The rest is, as you know, history. Best 1950s Music is a list of the most popular songs of the 1950s to hit the charts and become hits in American culture. Making influenza catchy since ’57. The book covers only the post-Rock and Roll charts of the decade (late 1955 through 1959), but includes the pre-rock style of hit songs that still charted regularly, if less so as time wore on. Chess brothers Leonard and Phil also helmed this Chuck Berry number, a riffing, jangling template that Berry would habitually plunder as he struggled to maintain his later career. Initially sung as ‘At The Bop’ to tie in with the latest dance moves, new name ‘At The Hop’ was suggested by American Bandstand presenter Dick Clark, immediately conjuring a readymade soundtrack for high school dances the nation over. That riff, that piano, and that chorus – all packaged into a timeless track about rock ‘n’ roll itself. Featuring one of the dirtiest riffs this side of Jimmy Page’s fretboard, this is five minutes of low down, grungy, swampy blues at its best, Muddy Waters delivering his gravelly take on Willie Dixon’s classic, which incidentally refers to a provocative belly dance from the late nineteenth century. Number One on the country music chart for a month, Cash’s fictional account of incarceration at the Californian clink was a mid-fifties smash, and opened his seminal live album from the state penitentiary, ‘At Folsom Prison’. Once the adolescent screams had abated, ‘Don’t Be Cruel’ was revealed to be a jaunty 50s jive-a-thon, a simple plea from a puppy dog faced Elvis to not dismiss his pure, beating heart of love. Already decades old before this version was recorded, ‘What A Diff’rence A Day Makes’ never tingled so much as when Washington gave it some of that Grammy-winning magic. It's very hard to accurately track down dates for a lot of worthy 50's era music. It was the soundtrack to the movie of the same name, Elvis’s third, and shook its hips to the top of the charts in the US and the UK. A simple blues-rockabilly shake-down which was enlivened by sprawling axe work from future guitar legend James Burton. Berry’s song follows one such rabid fan over a simple blues riff. Weepy Johnnie Ray found his signature tune here, swamping Churchill Kohlman’s song with his sobbing tones and topping the Billboard chart too. Marvin Junior’s baritone plays off Johnny Carter’s falsetto to form an easy, woozy slice of doo-wop that The Dells would revisit later, a 1969 soul re-tooling proving most successful. A favourite of The Rolling Stones, this ramshackle r ‘n’ b classic was thrust into the Grammy Hall Of Fame in 2010 and with good reason – it’s a perfect little slab of catchy choruses and infectious guitar. It peaked at a modest 59 on the Billboard chart but registered 200,000 sales. Top Hindi Songs of The 50s Music Playlist on Gaana.com. As a neat summary of rock’n’roll it’s understandably been knocked out by big-hitters from The Beatles to The Beach Boys, Humble Pie to Australian cheese captains Mental As Anything. It later became a standard, providing teen idol David Cassidy with a bit of emotional heft and giving Crystal Gayle a country chart No.1. The man behind The Champs’ one and only hit (a massive one, mind you – No.1 in the US, No.5 in the UK) was Danny Flores, who played the wild sax solo and blurted out “tequila!”, as you do. It remains a mystery but we’re very much on board for the ride. One of the unimpeachable dawn-of-rock standards, ‘Lucille’ was a smash on both sides of the Atlantic and has been butchered by artists ranging from hair-metallers Van Halen to rock’n’roll pasticheurs par excellence Mud. ‘C’mon Everybody’, with its motorik guitar foundations and raspy vocal from Cochran still stands up and was memorably covered in 1979 by Sid Vicious – another briefly burning rock’n’roller. If you are looking for a complete list of the best wedding songs from the 1950s, please visit our Top 100 Songs of the 1950s. 0-8230-7646-6 This list is odd. It’s remarkable for its minimalist presentation, with London accompanied only by Barney Kessel on guitar and Ray Leatherwood on double bass. The number one songs of the 1950s also included teen idol hits, zany novelty tunes, folk music, country pop, instrumental songs, and various other styles. Find album reviews, stream songs, credits and award information for 100 Greatest 50s & … But Flores was under contract elsewhere and the writing credit had to go to one ‘Chuck Rio’. As legend would have it, this track was penned by Williams about his first wife, but dictated to his second wife, whilst he was driving. https://www.youtube.com/watch?v=XEl3UUl1Fmw. Think blues and you think Howlin Wolf and ‘Smokestack Lightnin’. However, Fats did it best, and it remained his biggest track. It also meant that it was just a matter of time before songs were written about them. Chuck Berry’s first record, and first hit, pumped more excitement and genius guitar work into its short few minutes than most post-millennial bands muster in a career. One of the rawest early rock tracks, Bo Diddley’s self-regarding jerker has been covered, ripped off and filleted repeatedly since. Covered by countless artists – Peggy Lee, Madonna, Beyoncé, funk don George Clinton, The Doors, you name ’em – Otis Blackwell and Eddie Cooley’s ‘Fever’ was originally recorded, reluctantly, by R&B warbler Little Willie John. The Greatest of All-Time Billboard Hot 100 Songs and Artists rankings are based on weekly performance on the Hot 100 (from its inception on Aug. 4, 1958, through July 21, 2018). $("#homeslider").html(''); Memphis-born Johnny Burnette and his trio patented that dirty rock’n’roll sound pretty much by accident when guitarist Paul Burlison knocked over his Fender Deluxe amp. Holly was inspired to write the track after his cinematic hero John Wayne repeatedly used the phrase in a film and it ended up a chart-topper on both sides of the pond. https://www.youtube.com/watch?v=LGI4PgAHxtg. $(".photo-thumb-link").lightbox();$(".comp-slideshow-03 p a").lightbox(); Appropriately the rugged anthem was full of bolshy swagger and teenage ballsiness. One of the earliest records to explore distortion and feedback it’s also the song that invented the power chord, ensuring Townshend and Blackmore are forever in his debt. I don't doubt that a few songs from the late 40s or early 60s have accidentally slipped onto this list. Turner eventually disputed and won. Elvis had flustered teenagers all shook up, while the likes of Chuck Berry, Jerry Lee Lewis and the like were destroying the old safety nets with a virile, passionate new sound. Whether you’re looking for a famous song to learn on guitar or want to discover some of the best players of all time, this list will point you in the right direction. Lastly, if you think I may have missed any great acoustic songs in the list above, don’t forget to leave a comment below. But that’s not his fault. Subsequently revived by all manner of crooners, from Michael Bolton (questionable) to Aretha (worth a listen). Music, Film, TV and Political News Coverage. Rock-n-Roll emerged in the mid-50s as the teen music of choice with Sam Cooke, Jackie Wilson, Gene Vincent, Chuck Berry, Fats Domino, Little Richard, James Brown, Bo Diddley, Buddy Holly, Bobby Darin, Ritchie Valens, Duane Eddy, Eddie Cochran, Brenda Lee, Bobby Vee, Connie Frances, Johnny Mathis, Pat Boone and Ricky Nelson being notable exp… 1 "Smells Like Teen Spirit" by Nirvana. The 1950s marked the birth of rock’n’roll. The filthiest thing to be released in all of 1956. Little Richard’s best track was revolutionary in terms of how it shaped rock and roll, not just in musically but in its pioneering use of double entendre. Top songs of the 1950's is updated by the minute by Gigbuilder - The world's most popular … An air of otherworldly mystery hangs about this bluesy stomp. He undermines his destitution with zany voices and jaunty rolling blues, and the song found a place in cinema posterity, popping up in 80s Brat Pack movies Diner and The Lost Boys. Songs are ranked based on an inverse point system, with weeks at No. This is the one that shoved rock’n’roll into the charts, but for an essentially teen movement it was odd to see Bill Haley front and centre. With tremolo guitar from Chet Atkins, ‘All I Have To Do Is Dream’ is one of the decade’s more saccharine options, but proved how vital harmonies could be to a song’s DNA. Various versions have surfaced in the movies and on TV, sh-booming through Johnny Depp’s Cry-Baby and Patrick Swayze’s Roadhouse as well as appearing in Dennis Potter’s 50s pastiche Lipstick On Your Collar for the BBC. In one form or another The Dells have stuck around for the past 60 years, but it was ‘Oh, What A Night’ that gave them their first hit. Tales of recording sessions happening in a state of inebriated revery and the track being banned for being too ‘cannibalistic’, and no wonder, Jay sounds like a cartoon villain as he intones the lyrics. The following lists the number one singles on the Australian Singles Chart during the 1950s. New Orleans pianist Antoine ‘Fats’ Domino was a profound influence on later pop idols Elvis Presley and John Lennon, bringing swing to rock’n’roll’s baby steps. Holly And The Crickets created a penetrating slab of early, guitar driven blues. The original lyrics (“Tutti Frutti, good booty / If it don’t fit, don’t force it / You can grease it, make it easy”) were so, well fruity, they made ‘Relax’ seem like a Vera Lynn track. Where’s it going? One of the many tracks that’s been claimed as the first rock and roll record (alongside efforts from Fats Domino, Bill Haley, and Roy Brown), the Pelvis’ cover of blues singer Arthur Crudup’s ‘That’s All Right’ is certainly the one that broke him. Nina Simone’s hepcat jazz cut was a cover of a number from the 1930 musical Whoopee! Also credited to his band The Teen Kings just before The Big ‘O’ stepped into the spotlight once and for all, ‘Ooby Dooby’ is a lithe bit of trad rock’n’roll that convinced Sam Phillips to give Orbison his Sun Records break and introduced America to one of its finest pop voices. Forget Lady Gaga’s 2008 album monstrosity, this slinky shuffle features some top vocal lines from the Drifters’ tenor, bass, and baritone voices and, halfway through the playful sax solo, one of the greatest screams in rock history. Richard’s vocal was frazzled and spunky, half gospel apostle, half bar room holler as he told the story of Uncle John getting his ja-ja’s on with bald-headed Sally in a backstreet alley. var WRInitTime=(new Date()).getTime(); Sessions musicians were on standby just in case Vincent’s pals the Blue Caps couldn’t hack it in the studio but together Vincent and band pulled off the rockabilly riot in style. Another one for Back To The Future – and Superman III and The Karate Kid II as the 80s went crazy disinterring early rock’n’roll era favourites – ‘Earth Angel (Will You Be Mine)’ is an exquisite doo-wop pleasure written by Penguins baritone Curtis Williams that made the US top 10, the group’s only real success of note. 9th March 2012. The comically named Spaniels formed at school in 1952 and clocked their biggest with this evergreen doo-wop number two years later. A cover of the bluesy Big Mama Thornton track, Elvis changed the track into hip-swiveling pound of rolling drums and grinding guitars that set teenage girls alight and made parents blush. https://www.youtube.com/watch?v=8XxGUIbYjmY. The biggest hits of the 1950s according to Billboard Magazine. It took a claymation video to finally shoot ‘Reet Petite’ to the top of the UK charts at the end of 1986, at that point setting a record for longest gap between release and hitting No.1. 55 songs Not bad for a tune about footwear. Originally written for the 1934 film Dames, before being covered by Peggy Lee, the definitive version of this track was by the vocal harmony group The Flamingos. Being broke never sounded so good. Almost from the get-go it established the Canadian Anka as a mainstream crooner who continues to record and perform into his 70s. Music from 1950 -1959. It made his legend. A bluesy rock and roll number with a dour undercurrent, it was Elvis’ first number one. The most Romantic Old Songs in the 50s & 60s. Covered hundreds of times, from B.B. An utterly tragic love story of two doomed lovers from rival American Indian tribes who drown in each other’s arms. Chuck Berry’s cut remains the set text, though. Jailhouse Rock - Elvis Presley 3. A perennial blues fave, ‘Don’t Start Me Talkin” was a self-penned hit for Williamson and housed a who’s who of blues heavyweights in its credits, including Willie Dixon on bass and Muddy Waters on guitar. Songs about specific dances comprise the majority of this list; songs on the subject of dancing are also included. Cole Porter had written the track back in the 1930s but it was covered by Sinatra for his ‘Songs For Swingin’ Lovers’ album in 1956 . Signed up by Capitol Records in Los Angeles as a quick fix for their lack of Elvis, Gene Vincent made an iconic splash first time out with the sexy, courageously stilted ‘Be-Bop-A-Lula’. From Jerry Lee to Goose and Maverick, this irrepresible dose of raw rock energy and serious piano abuse has been a stone cold classic for nearly 60 years. ‘Cry Me A River’ made its big screen debut in Jayne Mansfield’s The Girl Can’t Help It, with London performing it as the sultry, unattainable siren. 100 best tracks of the ’50s – Spotify playlist, http://link.brightcove.com/services/player/bcpid1483850446001?bckey=AQ~~,AAAAABumiUU~,CmZu1qzq0NyICxn2Vp-nk3_Z6ll_Smhf&bctid=1585785053001. ‘Willie And The Hand Jive’ is that old staple, a tie-in with a dance craze, but was fresh and vital enough to crack the US top 10. Lee’s version might be the one everyone remembers but Little Willie John’s swinging soul take was a specialist US hit and million-seller in its own right. Over a simple piano figure and a nursery rhyme like melody, these “good times” sound like they’re nothing more salacious than a game of Scrabble and some warm Ribena. ‘Rock And Roll Music’ is a quickfire tribute to the form, a skidding, popping workout written by Berry and produced by the Chess brothers for their own leading blues label. His spry take on the song, released six months before his death from heart failure, remains definitive but well-known versions have been cut by Fats Domino and MOR legends The Carpenters. King to Back To The Future, it was included on the Voyager Golden Record, a selection of discs sent into space to demonstrate the cultural capacity of life on earth. The subject of discord over writing credits, ‘Blue In Green’ is now credited to Davis and occasional collaborator and legendary jazz pianist Bill Evans. TOP 100 FOLK HITS OF THE '50S AND '60S. https://www.youtube.com/watch?v=twQNeIBGntg. Played live since his Delta blues days in the ‘30s and honed for two decades before its release in ’56, it sees harmonica, train references and a repeated E major chord collide to mesmerising effect. With a ragtime piano and a crowing vocal, Little Richard creates a sonic romp that suggests there’s a lot more going under the covers than one initially suspects. Song Title Song Artist Year Genre; Top songs of the 1950's is updated by the minute by … Beyond the fact that I wasn't born until well after the end of that decade, the 50s pose quite a few other listmaking challenges. It’s also been covered by constipated ersatz soul bellower Michael Bolton, so is clearly indestructible. These noble, traditional sentiments inspired huge swathes of artists to have a go too, tempting Elvis, The Beatles, Little Richard and – almost certainly definitively – the great Shakin’ Stevens in 1982. that appeared on her debut album but only made megahit status when it was used for a 1987 Chanel No.5 advert. Later recorded by The Rolling Stones and George Clinton, there’s a timeless carefree spirit about ‘Let The Good Times Roll’, which gives the whole thing a gentle ‘Happy Birthday’-like vibe. You can credit (or, occasionally, blame?) Related Articles. A brilliantly constructed couple of minutes it weaves frenetic harmonies, time signature changes and varied dynamics to irresistible effect. Hugely influential in the way it shaped the sound of the nascent rock and roll sound, the rudimentary blues contained within would later be appropriated by The Velvet Underground (who covered the track early in their career). The birth of rock ‘n roll meant that screaming teens were the norm. Habitually warring brothers Phil and Don regularly put aside their differences (or at least put them on ice for a couple of minutes) to record glorious close-harmony pop that influenced generations of bands from The Beatles to The Beach Boys to Simon & Garfunkel and beyond. The rolling rumble of bass and drums and the lo-fi guitar sound would influence everyone from The Beatles to Girls, while the simplicity of its chord structure provided that the most infectious tracks often came in seemingly basic packages – the effect of which would be seen until this day. So begins the third greatest song of the entire decade and one of the best rock ‘n’ roll tracks ever. Still, it had the cash rolling in, which would explain The Five Satins’ continued existence. Written and arranged by one Ike Turner, who turns in the rolling piano too, it was released on Chicago blues label Chess with singer Jackie Brenston taking all the glory and publishing cash. 20 Biggest Songs of the Summer: The 1950s From mambos to the birth of rock, the best songs for hitting the drive-thru in the warmer months https://www.youtube.com/watch?v=MQ2IJQy4iuM. Decades after it was released, ‘Walkin’ After Midnight’ would be referred to as “David Lynch-esque”. https://www.youtube.com/watch?v=qFCePEPdaU4. Source: _Billboard's Hottest Hot 100 Hits_ compiled by Fred Bronson (c)1995. Sometimes the best songs are the most simple. Take a look below, and you'll probably be shocked by more than a few of the banned songs from the '50s and '60s. London’s cool, seductive vocal carries it. Rankings are based on the popularity of each song during the period of 1950 through 1969. A sweet love letter to his darling full of earnest sentiment and unashamed admiration, this beautiful track saw Cooke shift from his gospel roots to a more soulful direction. It was co-written by nominal lead singer Pookie Hudson and Calvin Carter and its “doh-doh-doh” vocal rhythms often rear up on other records, including Pete Wingfield’s 1975 pastiche ‘Eighteen With A Bullet’ featured on the Lock, Stock And Two Smoking Barrels soundtrack. Few songs come spring-loaded with the amount of energy this tune packs. You’d be hard-pushed to pick a definitive Elvis single, but ‘Jailhouse Rock’ has to be one of the most iconic Pelvis tunes, all stop-start judder and growly holler. Although it was wholesome crooner Pat Boone who took ‘Ain’t That A Shame’ to the top in the States, the song was Domino’s entry to the mainstream, paving the way for ‘Blue Monday’ and ‘Blueberry Hill’. From big band tracks to jazz standards, until midway through the 20th century, music was a resolutely parent-friendly zone. https://www.youtube.com/watch?v=LvKDr8AgvK8. Hard to believe sometimes that Cliff was once a genuine, lip-curling rock’n’roller, but ‘Move It!’ is a convincing start. Penned by legendary songwriting duo Leiber and Stroller, this bit of teenage harrumphing and door slamming was given to vocal harmony group The Coasters and, rather confusingly, played out like “a white kid’s view of a black person’s conception of white society,” according to Leiber. var viewportWidth = $(window).width(); Written by Quartet member Paul Desmond, ‘Take Five’ features Brubeck on nudging, insistent piano and Desmond on the meandering sax, and was a pioneering jazz/pop crossover. An early work of rock genius. 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